• Pauliina Turakka Purhonen: Rock, potato, jingle ball, acrylic on birch plywood, 42 x 74 cm, photograph Veikko Björk
  • Pauliina Turakka Purhonen: Fruit, papier maché
  • Pauliina Turakka Purhonen: The great orange (feat. Reetta Gröhn-Soininen)
  • Pauliina Turakka Purhonen: The third. (feat. Emma Helle)
  • Pauliina Turakka Purhonen: The swarm in a painter´s head. (feat. Kalle Turakka Purhonen, Sabra Booth, Milla Toivanen)
  • Pauliina Turakka Purhonen: Anne, Elsa´s fur coat and Daddy´s gloves. (feat. Siiri Haarla, Elina Katara, Milla Toivanen, Kaili Kask, Reetta Gröhn-Soininen)
  • Pauliina Turakka Purhonen: Birds (feat. Veikko Björk, Kaili Kask)
  • Pauliina Turakka Purhonen: Apple, Acrylic on birch plywood
  • Pauliina Turakka Purhonen: Little tangerine, Acrylic on birch plywood
  • Pauliina Turakka Purhonen: Welcome! (feat. Tiina Wallius, Antti-Ville Reinikainen)
  • Pauliina Turakka Purhonen: In between days (feat. Aleksi Tolonen)

Pauliina Turakka Purhonen

At Home (with)

Huuto III 15.1.-8.2.2026

Pauliina Turakka Purhonen
At Home (with)
15.1.-8.2.2026

9.12.2025
I paint at home, even though I have a studio. The studio is for the textile stuff.
I paint, as I did in art school, from life: still lives, portraits, interiors. Nothing especially sensitive. Still, I feel naked when painting. Everything happens so fast. A painting appears, I am grateful, in awe, and then within minutes I ruin it.

I place Gloria, a small, wooden skeleton doll in the lap of Emma´s sculpture. I look at the stilleben, a pietà. I find it a bit boring, the colors muddy on a dark November day. I get a mirror my daughter left here when she moved out, and place it behind the pietà. It is now St Anne, the third. Daylight is fading fast. I turn on the harsh kitchen lights, and my features almost disappear in the counterglow.
I am impatient, and rarely do any scetching. Often I regret it. This composition does not work. I try to mend it with weight, adding color. In the end I open a tangerine and place it next to the two sculptures. I paint it on top of the dark colors of the table, trying to restore the light of the plywood.

I am a figurative painter, but painting itself seems to be an abstraction.
What are these things, this space, this image in a mirror, all fitted onto a flat surface, brushed on with liquid plastic?
What is it that I´m looking at?
The doll, the sculpture, the tangerine and the mirror, these familiar objects, form a strange constellation. I know that I must have been painting it, since I am here alone. I try to track the path that led up to this particular painting, but cannot trace my steps. Is this what I saw?

Pauliina Turakka Purhonen, b. 1971, studied painting but usually works in textile materials. Occasionally returns to painting, enjoying the fast-flowing ups and downs of it.

Thank you
TAIKE, Pauliina Pesonen

Contact details
t.urakka (a) gmail.com
www.pauliinaturakkapurhonen.com
@turakkapurhonen